Marie Buscatto

Marie Buscatto

<p>Marie Buscatto est professeure de sociologie à l’université Paris 1 Panthéon Sorbonne., chercheure à l’I.D.H.E.S. (Paris 1 – CNRS).</p>

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Affiche du document Gender-Based Violence in Arts and Culture — Gender-Based Violence in Arts and Culture
Marie Buscatto
1h47min15
Sciences humaines et sociales
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143 pages. Temps de lecture estimé 1h47min.
This book offers a groundbreaking exploration of the pervasive issue of gender-based violence (GBV) within the realms of art and cultural production. This collection of essays delves into both the overt and subtle forms of GBV. It spans sexual harassment, assault, and the everyday sexism ingrained in creative workplaces and art schools, in both professional and private dimensions. The book covers a wide array of artistic sectors—opera, visual arts, music, and theatre—across diverse global contexts, from Europe to Asia and North America.By incorporating feminist and sociological theories, the essays not only examine the structural power dynamics that perpetuate GBV but also highlight efforts to challenge and dismantle these systems. The book addresses both criminal acts of violence and the "ordinary" forms of sexism that pervade artistic spaces, making visible the normalized patterns of behavior that maintain gender inequality. The volume is divided into three parts: the production of GBV, its representations in cultural work, and the initiatives to counteract it.A crucial contribution to ongoing discussions of workplace and educational inequality, this timely volume fills a notable gap in research on gender-based violence within the arts. Its methodological rigor and international perspective ensure that it will serve as a key resource for scholars, practitioners, and advocates alike.

Gender-Based Violence in Arts and Culture
Marie Buscatto
1h47min15
Sciences humaines et sociales
Youscribe plus

143 pages. Temps de lecture estimé 1h47min.
This book offers a groundbreaking exploration of the pervasive issue of gender-based violence (GBV) within the realms of art and cultural production. This collection of essays delves into both the overt and subtle forms of GBV. It spans sexual harassment, assault, and the everyday sexism ingrained in creative workplaces and art schools, in both professional and private dimensions. The book covers a wide array of artistic sectors—opera, visual arts, music, and theatre—across diverse global contexts, from Europe to Asia and North America.By incorporating feminist and sociological theories, the essays not only examine the structural power dynamics that perpetuate GBV but also highlight efforts to challenge and dismantle these systems. The book addresses both criminal acts of violence and the "ordinary" forms of sexism that pervade artistic spaces, making visible the normalized patterns of behavior that maintain gender inequality. The volume is divided into three parts: the production of GBV, its representations in cultural work, and the initiatives to counteract it.A crucial contribution to ongoing discussions of workplace and educational inequality, this timely volume fills a notable gap in research on gender-based violence within the arts. Its methodological rigor and international perspective ensure that it will serve as a key resource for scholars, practitioners, and advocates alike.

Accès libre

Affiche du document La reconnaissance artistique à l'épreuve des stéréotypes de genre — La reconnaissance artistique à l'épreuve des stéréotypes de genre
Marie Buscatto
2h07min30
Sciences humaines et sociales
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170 pages. Temps de lecture estimé 2h07min.
Cet Opus est le deuxième volet du double numéro spécial publié par la revue Sociologie de l'art - Opus sur les stéréotypes genrés dans l'art. Ce volume centre ainsi son questionnement sur les liens pouvant exister entre la présence de stéréotypes genrés dans les mondes de l'art et la reconnaissance artistique, professionnelle, sociale ou économique des femmes artistes, comparativement à celle dont jouissent leurs homologues masculins.

Accès libre

Affiche du document Terrains de la musique — Terrains de la musique
Marc Perrenoud
3h06min45
Musique
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249 pages. Temps de lecture estimé 3h7min.
En 2003 et 2004, quand les journées Terrains de la musique se sont tenues à Toulouse, il s'agissait avant tout de rassembler des chercheurs partageant des pratiques d'enquête de type ethnographique et de considérer celles-ci comme déterminantes pour l'approche du fait musical. Les textes ici réunis s'inscrivent dans l'interdisciplinarité sociologie-ethnologie, ils sont marqués tant par la prise au sérieux des régimes cognitifs et discursifs endogènes que par la posture réflexive adoptée par la plupart des auteurs.

Accès libre

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