David Lindsay

David Lindsay

David Lindsay <p>David Lindsay (1876-1945) is a writer best known for his first novel, A Voyage to Arcturus. Published in 1920, it has been called "the greatest imaginative work of the twentieth century" (Colin Wilson), "a stupendous ontological fable" (E H Visiak), "a masterpiece... an extraordinary work" (Clive Barker), "that shattering, intolerable, and irresistible work" (C S Lewis), and "less a novel than it is private kabbalah" (Alan Moore). John Grant, in The Encyclopedia of Fantasy, called it "a masterpiece of allegorical fantasy". Lindsay himself said that as long as publishing existed he would have readers, however few, and has been proved right. A Voyage to Arcturus, and his subsequent novels The Haunted Woman (1922), Sphinx (1923), The Adventures of Monsieur de Mailly (1926) and Devil's Tor (1932) have found a growing audience of devotees, enabling his unpublished novels (The Violet Apple, and the unfinished The Witch) to be brought out in the 1970s. He has been translated into French, German, Spanish, Dutch, Bulgarian, Russian, Japanese, Catalan, Romanian and Turkish.</p>

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Affiche du document My Garden and the Universe

My Garden and the Universe

David Lindsay

39min45

  • Philosophie
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53 pages. Temps de lecture estimé 40min.
A fact is immutable and cannot be changed, a truth might explain the reason behind a fact but is open to challenge. The red shift of ancient light is a fact. The explanation that it is caused by a Doppler Effect is a truth. Based upon a conviction that a universe which is perpetually expanding and with increasing efficiency is a perceived truth which is incompatible with the Second Law of Thermodynamics, David Lindsay has gone back to basic physics and philosophically attempted to reconcile the two truths. He has tried to keep the narrative simple (KISS) and comes to unconventional conclusions without denying the fact of astronomical observation or compromising Einstein's premise that E=mc2. Noting that one negative observation can cause a scientific truth to be re-appraised, he presents four such observations that might deny the perceived truth of a Doppler Effect causing the red-shifting of ancient light. David's interpretation of the science recognises that the universe is composed of two primary sources of energy. The potential energy of matter and the chaotic but stable energy of background electromagnetic radiation or light. Both forms of energy are seen as wedded in compliance to the Second Law and Einstein's principle that mass equals energy and thus offers an explanation (or alternative truth) for the apparent non-compliance inferred by perpetual motion. David Lindsay presents a cogent alternative reason for the red-shifting phenomenon as a new truth, which of course must be open to further challenges. The strength of the philosophical arguments presented is that the four observations are derived from four diverse sources, mathematical, observational, biological and philosophy based on accepted science. The weakness is the lack of experimentation and, until the final pages, a paucity of mathematical proof.
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