Documents pour «Duke University Press»

Documents pour "Duke University Press"
Affiche du document Informatics of Domination

Informatics of Domination

Zach Blas

4h42min45

  • Sciences humaines et sociales
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377 pages. Temps de lecture estimé 4h43min.
Informatics of Domination is an experimental collection addressing formations of power that manifest through technical systems and white capitalist patriarchy in the twenty-first century. The volume takes its name from a chart in Donna J. Haraway’s canonical 1985 essay “A Manifesto for Cyborgs.” Haraway theorizes the informatics of domination as a feminist, diagrammatic concept for situating power and a world system from which the figure of the cyborg emerges. Informatics of Domination builds on Haraway’s chart as an open structure for thought, inviting fifty scholars, artists, and creative writers to unfold new perspectives. Their writings take on a variety of forms, such as essays on artificial intelligence, disability and protest, and transpacific imaginaries; conversations with an AI trained on Black oral history; a three-dimensional response to Mexico-US border tensions; hand-drawn images on queer autotheory; ecological fictions about gut microbiomes and wet markets; and more. Together, the writings take up the unfinished structure of the chart in order to proliferate critiques of white capitalist patriarchal power with the study of information systems, networks, and computation today. This volume includes an afterword by Haraway.Contributors. Dalida María Benfield, Zach Blas, Ama Josephine Budge Johnstone, micha cárdenas, Amy Sara Carroll, Shu Lea Cheang, Jian Neo Chen, Heather Dewey-Hagborg, Ranjodh Singh Dhaliwal, Stephanie Dinkins, Ricardo Dominguez, Ashley Ferro-Murray, Matthew Fuller, Jacob Gaboury, Jennifer Gabrys, Alexander R. Galloway, Jennifer Mae Hamilton, Donna J. Haraway, Eva Hayward, Stefan Helmreich, Kathy High, Leon J. Hilton, Ho Rui An, Hi''ilei Julia Kawehipuaakahaopulani Hobart, Tung-Hui Hu, Caroline A. Jones, Melody Jue, Homay King, Larissa Lai, Lawrence Lek, Esther Leslie, Alexis Lothian, Isadora Neves Marques, Radha May (Elisa Giardina-Papa, Nupur Mathur, and Bathsheba Okwenje), Shaka McGlotten, Mahan Moalemi, madison moore, Astrida Neimanis, Bahar Noorizadeh, Luciana Parisi, Thao Phan, Ana Teixeira Pinto, Luiza Prado de O. Martins, Rita Raley, Patricia Reed, Jennifer Rhee, Bassem Saad, Ashkan Sepahvand, Justin Talplacido Shoulder, Lucy Suchman, Ollie Zhang
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Affiche du document Freeing Black Girls

Freeing Black Girls

Tamura Lomax

3h00min45

  • Histoire
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241 pages. Temps de lecture estimé 3h1min.
In Freeing Black Girls, Tamura Lomax offers an insurgent feminist love letter to Black girls, women, mothers, and othermothers. Exploring what it means to mother Black children in the twenty-first century, Lomax shares her journey from her traditionalist Black girlhood to finding the path to revolutionary Black motherhood. Along the way, she shows how all Black people are endangered by white supremacist capitalist heteropatriarchal dominance and emphasizes the power of looking and talking back. Lomax insists on Black feminist ways of living that value and nourish whole persons, sketching a radical dream that will allow Black women and girls to survive America while being able to love themselves, others, and collective Black freedom. Ultimately, Lomax declares that Black women and girls are emphatically not defective, second-class, or immanent nurturers; they are sacred and revolutionary beings who deserve to live a life free of predation, patriarchy, misrecognition, misogynoir, and violence.
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Affiche du document Product of Medicine

Product of Medicine

Caitjan Gainty

3h00min45

  • Histoire
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241 pages. Temps de lecture estimé 3h1min.
In The Product of Medicine, Caitjan Gainty traces the history of the early twentieth-century medical efficiency movement in the United States, restoring it as a significant driver of medicine’s modernization while also revealing its broader significance as a cultural force shaping modern American life. Covering a range of  efficiency’s uses in medicine—from the assembly-line structure of the early Mayo Clinic and Henry Ford Hospital to the landmark Flexner Report and the prosecution of the American Medical Association as a monopoly—Gainty challenges long-standing presumptions about how medicine acquired power and prestige during the Progressive Era. Gainty demonstrates how, rather than as a result of pathbreaking scientific advance or the rise of professional organizations, medicine came to be understood as modern through the more prosaic processes of standardization and organization. In doing so, Gainty uncovers medical efficiency as not only a function of industrial capitalism but also a vehicle for balancing populist and autocratic tendencies to maintain a workable American democracy.
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Affiche du document Years of Blood

Years of Blood

Alma Guillermoprieto

3h06min45

  • Histoire
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249 pages. Temps de lecture estimé 3h7min.
For forty years and more Alma Guillermoprieto has wandered tirelessly over the countries of Latin America, interviewing assassins and the families of their victims, talking to street sweepers and artists, rowdy carnival makers and thoughtful politicians (and plenty of rowdy politicians as well). Guillermoprieto draws out common threads in different contexts, like the effects of The War on Drugs in rural and poverty-stricken regions and the experiences of people mixed up in the fray of state- or cartel-sponsored violence. At the same time, she shows how Latin American art translates nostalgia and pain into great beauty. In The Years of Blood, the third volume of her collected reporting, she completes her complex and always compelling portrait of the Latin America of our times, in all its tragedy and glory, as it enters a new era of populism and demagoguery, and tries, yet again, to answer the great unsolved question: How do we change our future so that it does not so exhaustingly resemble our past?
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Affiche du document Unmaking Botany

Unmaking Botany

Cruz Gutierrez Kathleen

3h30min45

  • Histoire
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281 pages. Temps de lecture estimé 3h31min.
In Anglo-European botany, it is customary to think of the vernacular as that which is not a Latin or Latinized scientific plant name. In Unmaking Botany, Kathleen Cruz Gutierrez traces a history of botany in the Philippines during the last decades of Spanish rule and the first decades of US colonization. Through this history, she redefines the vernacular, expanding it to include embodied, cosmological, artistic, and varied taxonomic practices. From the culinary textures of rice and the lyrics crooned to honor a flower to the touch of a skirt woven from banana fiber, she illuminates how vernaculars of plant knowing in the Philippines exposed the philosophical and practical limits of botany. Such vernaculars remained as sovereign forms of knowledge production. Yet, at the same time, they fueled botany’s dominance over other ways of knowing plants. Revealing this tension allows Gutierrez to theorize “sovereign vernaculars,” or insight into plants that made and unmade the science, which serves as a methodological provocation to examine the interplay of different knowledge systems and to study the history of science from multiple vantage points.
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Affiche du document Future of Futurity

Future of Futurity

Akhil Gupta

4h06min45

  • Sciences humaines et sociales
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329 pages. Temps de lecture estimé 4h7min.
In The Future of Futurity, Purnima Mankekar and Akhil Gupta examine the lives and experiences of call center agents in India’s business process outsourcing (BPO) industry, who live in Bengaluru and work for customers in the Global North. Mankekar and Gupta show how futurity—an affective-temporal potentiality and mode of being that emphasizes the unfolding of time—enables BPO workers to strive for hopeful futures despite their experiences of growing inequality, volatility, and violence. Drawing on long-term fieldwork with managers, owners, and workers of BPO companies, the authors explore how workers find pathways for navigating a globalized world and for imagining their futures in it. They point to the heterogeneous lives, yearnings, and anxieties of BPO workers, foregrounding the disjunctions and conjunctions between labor, corporeality, intimacy, family life, and mobility. Mankekar and Gupta show how workers’ daily lives and imaginings of the future point to the relationships between futurity, capital, and technology as well as futurity’s imbrications with contemporary racial capitalism. In so doing, the authors insist on the transformative potential of futurity even in conditions of extreme precarity.
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Affiche du document Squatter Life

Squatter Life

Sofia Servian

2h36min45

  • Sciences humaines et sociales
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209 pages. Temps de lecture estimé 2h37min.
In Squatter Life, sociologist Javier Auyero and anthropologist Sofía Servián detail the diverse and often precarious strategies that Argentina’s urban poor rely on to survive. Blending three years of ethnographic fieldwork and anthropological theory with personal narratives of Servián’s experience growing up and living in a squatter settlement, the authors examine how Argentina’s squatter communities contend with violence and secure necessities like food, land, and housing despite inadequate state support and protection. Auyero and Servián recount the bricolage of tactics these individuals employ to make ends meet, such as relying on highly exploitative jobs, patronage, and networks of reciprocal exchange that can involve illicit activities. Analyzing how these survival strategies intersect with class, gender, and political domination, the authors present a nuanced account of marginality in Argentinian squatter settlements while maintaining a deeply human portrait of survival and persistence.
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Affiche du document Gone Gone

Gone Gone

Todd Meyers

2h12min45

  • Sciences humaines et sociales
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177 pages. Temps de lecture estimé 2h13min.
In Gone Gone, Todd Meyers reckons with grief in the face of overdose death and with the afterlives of loss created by the opioid crisis. Through conversations with friends, lovers, and family members of those who are gone, Meyers brings readers into an inquiry about lives shared, told through tenderness and tragedy. Meyers seeks to find methods to record and convey the many experiences of grief in ways that do not simply consign sorrow to the world of drugs and addiction. Blending prose, poetry, and ethnography, Gone Gone is a lucid and devastating record that reminds readers that the grief felt by those who lose ones they love to overdose is varied and untamable.
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Affiche du document These Survivals

These Survivals

Lynne Huffer

2h48min45

  • Philosophie
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225 pages. Temps de lecture estimé 2h49min.
A collage-style work in fragments, Lynne Huffer’s These Survivals brings together philosophy, memoir, poetry, and original multimedia artworks to articulate an ethics of living on a devastated planet. Focusing on climate change and mass species extinction, Huffer approaches ruination through assemblages rendered in sharp-edged prose, vibrant color images, and experimental features that include black-out poems, weather reports, and abecedarian essays. She considers her struggles with everyday life and confronts the immensity of extinction across the expanse of geological time, recognizing the self’s insignificance in the context of the planet’s 4.5-billion-year existence. As she moves across autobiographical, political, and literary registers, her abiding theme is the repeated phrase: the fragment remains while the whole crumbles. At every turn, Huffer insists on the fragmentary, provisional nature of anything taken to be whole as well as the impartial conditions under which we write, at times experienced as constraint and at others, freedom. Reveling in interruption, obliquity, and layering, Huffer opens space for thought to emerge in unexpected and innovative ways—ways that are grounded in the material practices of writing and living.
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Affiche du document Dream of a Common Movement

Dream of a Common Movement

Urvashi Vaid

3h21min00

  • Sciences humaines et sociales
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268 pages. Temps de lecture estimé 3h21min.
The Dream of a Common Movement collects essays, interviews, and speeches by the late feminist and civil rights activist Urvashi Vaid, whose pioneering writing and organizing over the course of four decades fundamentally shaped the LGBTQ+ movement. Vaid explores the LGBTQ+ movement’s impact on the AIDS epidemic and its challenges as it developed a national presence. She calls out movement leaders and donors for not addressing gender, race, and class issues and passionately argues that the goal of any liberation movement should be transformation, not assimilation. In personal essays, Vaid describes a double consciousness forged by the experience of immigration and a complicated relationship with her Indian-American and lesbian identities. Whether she was focused on the Donors of Color Network, the 22nd Century Initiative, the Lesbian Political Action Committee, or other initiatives she launched, Vaid was steadfast in her vision of a more just society and believed deeply in the power of people coming together to effect change. Offering a window into the breadth of her progressive vision for social change, this volume inspires readers to never stop organizing and marching.
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Affiche du document Rhetorics of Value

Rhetorics of Value

A. Kratz Corinne

5h06min45

  • Littérature & Beaux Arts
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409 pages. Temps de lecture estimé 5h7min.
In Rhetorics of Value, Corinne A. Kratz explores how exhibition design creates and conveys values that have the potential to touch, educate, and engage visitors. Drawing on case studies from the Victoria and Albert Museum, museums in South Africa and Kenya, a Hawaiian resort hotel, and the Smithsonian’s National Museum of African American History and Culture, among others, Kratz shows how exhibits help shape and narrate cultural categories, values, and histories while provoking questions and evoking memories and experiences. She crosses contexts to consider ethnographic, history, and art exhibits in national and community museums and other display settings. Through these examples, Kratz traces how exhibition designers combine objects, texts, images, lighting, audio, space, and narratives to craft a complex, multilayered communicative form that visitors experience as they move through museums. By investigating the relationship between audience reception and exhibition design strategies, Kratz contends that through design, exhibits can shape the ways we know, the stories we tell, and our contours of meaning and engagement.
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Affiche du document Quiet Dawn

Quiet Dawn

Jean-Claude Fignolé

2h36min45

  • Histoire
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209 pages. Temps de lecture estimé 2h37min.
Jean-Claude Fignolé’s Quiet Dawn tells an enthralling story of Haiti’s transition from French colony to independent Black republic. The swirling, multilayered novel provides intimate portraits of an eighteenth-century slaveholder, his wife, and their enslaved laborers set against the devastating backdrop of enslavement and revolution. Into this Gothic colonial tale Fignolé interweaves a series of tragic events involving a present-day French nun doing penance for the sins of her ancestors. One of the few contemporary Haitian novels to explicitly grapple with Haiti’s revolution, Quiet Dawn foregrounds issues of race, power, the continuing legacy of historical trauma, and the unresolved tensions between the past and present. Published in French in 1990 and appearing here in English for the first time, Quiet Dawn forcefully pushes against the silencing of Haiti’s past, belying its title to depict a clamorous Atlantic world that comprises Europe, Africa, and the vast expanse of the Americas.
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Affiche du document Reparations and the Human

Reparations and the Human

L. Eng David

2h12min45

  • Politique
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177 pages. Temps de lecture estimé 2h13min.
The Holocaust and the atomic bombings of Hiroshima and Nagasaki invoked in graphic terms the specter of total human destruction. In response, a new international order of reparations and human rights arose from the ashes of World War II. This legal regime sought to subrogate the sovereignty of the nation-state in order to defend the sovereignty of the human being. While the Holocaust’s history is settled—Nazis were perpetrators and Jews were victims—there remains little historical consensus as to the victims and perpetrators of the atomic bombings. In Reparations and the Human, David L. Eng investigates a history of reparations across the Transpacific. He analyzes how concepts of reparation established during colonial settlement and the European Enlightenment shape contemporary configurations of the human and human rights, determining who can be recognized as victims, who must be seen as perpetrators, and who deserves repair. As demands for reparations now occupy center stage in debates concerning unresolved legacies of dispossession and Transatlantic slavery, Eng considers how the Cold War Transpacific provides a limit case for the politics of repair and definitions of the human.
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Affiche du document Somatic States

Somatic States

Franck Billé

4h00min45

  • Sciences humaines et sociales
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321 pages. Temps de lecture estimé 4h1min.
In Somatic States, Franck Billé examines the conceptual link between the nation-state and the body, particularly the visceral and affective attachment to the state and the symbolic significance of its borders. Billé argues that corporeal analogies to the nation-state are not simply poetic or allegorical but reflect a genuine association of the individual body with the national outline—an identification greatly facilitated by the emergence of the national map. Billé charts the evolution of cartographic practices and the role that political maps have played in transforming notions of territorial sovereignty. He shows how states routinely and effectively mobilize corporeal narratives, such as framing territorial loss through metaphors of dismemberment and mutilation. Despite the current complexity of geopolitics and neoliberalism, Billé demonstrates that corporeality and bodily metaphors remain viscerally powerful because they offer a seemingly simple way to apprehend the abstract nature of the nation-state.
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Affiche du document Care at the End of the World

Care at the End of the World

B. Kim Jina

2h54min45

  • Sciences humaines et sociales
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233 pages. Temps de lecture estimé 2h55min.
In Care at the End of the World, Jina B. Kim develops what she calls crip-of-color critique, bringing a disability lens to bear on feminist- and queer-of-color literature in the aftermath of 1996 US welfare reform and the subsequent evisceration of social safety nets. She examines literature by contemporary feminist, queer, and disabled writers of color such as Jesmyn Ward, Octavia Butler, Karen Tei Yamashita, Samuel Delany, and Aurora Levins Morales, who each bring disability and dependency to the forefront of their literary freedom dreaming. Kim shows that in their writing, liberation does not take the shape of the unfettered individual or hinge on achieving independence. Instead, liberation emerges by recuperating dependency, cultivating radical interdependency, and recognizing the numerous support systems upon which survival depends. At the same time, Kim demonstrates how theories and narratives of disability can intervene into state-authored myths of resource parasitism, such as the welfare queen. In so doing, she highlights the alternate structures of care these writers envision and their dreams of life organized around reciprocity and mutual support.Duke University Press Scholars of Color First Book Award
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Affiche du document Necromantic State

Necromantic State

R Troconis Irina

4h18min45

  • Sciences humaines et sociales
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345 pages. Temps de lecture estimé 4h19min.
In the spring of 2013, televisions across Venezuela announced the death of then-president Hugo Chávez, leader of the Bolivarian Revolution and key political actor in Latin America’s “turn to the left.” Chávez’s death, however, was not the end of Chávez’s life. In The Necromantic State, Irina R. Troconis examines how Chávez, as a “specter,” has lingered in Venezuela’s public, private, and digital spaces. Focusing on contemporary Venezuela and drawing from a diverse corpus that includes tattoos, toys, memes, graffiti, and a hologram haunting the streets of downtown Caracas, Troconis contends that, in moments of failed transitions, political tensions, and crises of legitimacy, the state brings the dead back to life to negotiate the terms of its survival. By showing how this necromantic performance enables the state’s material and visual manifestations in public and private spaces, Troconis untangles a sociopolitical moment in which the ghostly acts as the affective, social, and political force that grounds state authority and ensures the preservation of the status quo, as it circumscribes acts of political imagination and limits popular resistance.
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Affiche du document Bad Medicine

Bad Medicine

A. Whitt Sarah

3h36min45

  • Histoire
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289 pages. Temps de lecture estimé 3h37min.
In Bad Medicine, Sarah A. Whitt exposes how Native American boarding schools and other settler institutions like asylums, factories, and hospitals during the late nineteenth and early twentieth centuries worked together as a part of an interconnected system of settler domination. In so doing, Whitt centers the experiences of Indigenous youth and adults alike at the Carlisle Indian School, Canton Asylum for Insane Indians, Ford Motor Company Factory, House of the Good Shepherd, and other Progressive Era facilities. She demonstrates that in the administration of these institutions, which involved moving Indigenous people from one location to another, everyday white Americans became deputized as agents of the settler order. Bringing together Native American history, settler colonial studies, and the history of medicine, Whitt breaks new ground by showing how the confinement of Indigenous people across interlocking institutional sites helped concretize networks of white racial power—a regime that Native nations and communities continue to negotiate and actively resist today.
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Affiche du document Personality of Power

Personality of Power

Brian Massumi

4h24min45

  • Philosophie
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353 pages. Temps de lecture estimé 4h25min.
“I am the Chosen One!” With this exclamation Donald Trump crowns the national exceptionalism his base upholds with a claim of personal exceptionalism. He leaves no doubt as to the emotional note: “I am your vengeance!” He personifies reaction for the masses. Except, in today’s microsegmented social media environment the “masses” no longer exist. Fascism’s cultural conditions have shifted. In The Personality of Power, Brian Massumi retheorizes the conditions of contemporary fascism through the prism of Trump’s persona. Older theories based on identification of the masses with a charismatic leader no longer hold. Rather, an affective regime of reaction agitates bodies and orients lives at the molecular level. Massumi examines this agitation in relation to race, gender, personhood, and conspiracy thinking. The Personality of Power is a political treatise on fascism and its precursor movements, coupled with a philosophical inquiry into becoming reactionary as a collective process. Massumi calls the very concept of the person into question, asking what collective personhood means concretely. Nothing less than an alternative political logic is needed, turned to the task of thinking collective individuation.
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Affiche du document Postwar Revisited

Postwar Revisited

Okwui Enwezor and Atreyee Gupta

4h30min45

  • Littérature & Beaux Arts
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361 pages. Temps de lecture estimé 4h31min.
Okwui Enwezor’s 2016 exhibition Postwar: Art between the Pacific and the Atlantic, 1945–1965 redefined the history of art produced in those two decades. Nearly a decade later, Postwar Revisited returns to these debates to present an image of a historical period in which Western conceptions of art, aesthetics, and philosophy are all thrown into intense flux after Auschwitz and Hiroshima, while the cultural energies of decolonization generate myriad artistic and intellectual practices across the globe, which re-engage the connections of art to life itself. Focusing on modernist artists, artist collectives, and architects central to dissonant regional traditions, as well as influential exhibitions and patronage systems, the contributors produce a new understanding of emergent postwar global art. Provoking new ways of thinking, engaging, and narrating art history, Postwar Revisited is essential reading for those interested in debates on global art history and global modernism, the intersections between art and decolonization, the cultural aspects of the Cold War and the Non-Aligned Movement, and modern and contemporary art more generally.Contributors. Iftikhar Dadi, Okwui Enwezor, Patrick Flores, Hal Foster, Boris Groys, Atreyee Gupta, Elizabeth Harney, Jennifer Josten, Vivian Li, Tara McDowell, Alexandra Munroe, Nada Shabout, Terry Smith, Jenni Sorkin, Ming Tiampo 
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Affiche du document DeepAesthetics

DeepAesthetics

Anna Munster

3h06min45

  • Philosophie
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249 pages. Temps de lecture estimé 3h7min.
Computation has now been reconfigured by machine learning: those technical processes and operations that yoke together statistics and computer science to create artificial intelligence (AI) by furnishing vast datasets to learn tasks and predict outcomes. In DeepAesthetics, Anna Munster examines the range of more-than-human experiences this transformation has engendered and considers how those experiences can be qualitative as well as quantitative. Drawing on process philosophy, Munster approaches computational experience through its relations and operations. She combines deep learning—the subfield of machine learning that uses neural network architectures—and aesthetics to offer a way to understand the insensible and frequently imperceptible forms of nonlinear and continuously modulating statistical function. Attending to the domains and operations of image production, statistical racialization, AI conversational agents, and critical AI art, Munster analyzes how machine learning is operationally entangled with racialized, neurotypical, and cognitivist modes of producing knowledge and experience. She approaches machine learning as events through which a different sensibility registers, one in which AI is populated by oddness, disjunctions, and surprises, and where artful engagement with machine learning fosters indeterminate futures.
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